What about painting?

It came to me as a mean to say these “important things” you don’t speak about. These things can’t be said clearly. They are literally unspeakable. They become blurry and they eventually vanish when analysed.

They can be expressed only by allusion.

Virtual exhibit

L'espoir a fui
L'espoir a fui
Oil on canvas, 92.5 cm x 60 cm
Paris, March 1960

L'espoir a fui

The artist quotes Verlaine who, in his “Colloque sentimental”, recalls his past love.
In the painting, shapes are cold and bloody, they pierce the black sky.

In the old park’s desolation and frost
 the paths of two ghostly figures have crossed.

 Their eyes are dead and their lips slack and gray
 and one can scarcely hear the words they say.

 In the old park’s desolation and frost
 two spectres have been evoking the past.

 - “Do you recall our bliss of that September?”
 - “Why ever should you wish me to remember?”

 - “Now when you hear my name does your heart-rate grow?
 Do you still see me in your dreams?”  - “No.”

 - Ah, the enchantment of loving so dearly,
 those kisses that we shared!” - “Did we really?”

 Skies were so blue and hopes so high, so proud!
Defeated hope has fled in a sombre cloud.

Thus did they walk in the wild grass swaying.
Only the night heard the words they were saying.

(Paul Verlaine, Colloque sentimental)

(Translation : Peter Low)

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Selection

Oranges et bananes
Oranges et bananes
54 cm × 65 cm
Paris
La nuit des sens
La nuit des sens
65 cm × 92 cm
Nice 1952
La promesse des fleurs
La promesse des fleurs
73 cm × 92 cm
La nuit du 14 au 15 août
La nuit du 14 au 15 août
46 cm × 55 cm
Rotheneuf 1972

See the selection