I want to shout: “Just look! Look at the mystery! It is piercing your eyes.”
And no one sees it. Nobody but myself. People see colours, shadows, lights, forms. They see (what do I know?) the canvas, the stretcher nails. And I don’t understand they can’t guess all the distress here, under their eyes, as it was during the war: the clamour, death, love, treachery; the lies and the fear. And still more that I cannot say, but I know how to do it.
Yes I say: I know how to do it.
Date | Location & description |
---|---|
6 of June 2024 |
To exhibit Guy de Montlaur's paintings: contact us.
(A Tribute to Gustave Courbet)
How could one not see Courbet’s “The Origin of the World” in this painting?
Montlaur had great admiration for the work of Gustave Courbet and for Courbet himself, in particular his participation in the Paris Commune (from March 18 to May 28, 1871). It should be remembered that Courbet was an elected representative of the Commune and was elected President of the Federation of Artists. He prevented the Louvre collections from being looted and damaged.
Publié le 25/07/2023 par Michael — Guerre
Dans la matinée du 7 juin, les hommes s’enterrent davantage et aménagent les trous individuels qu’ils agrandissent. Ils creusent des couloirs reliant les trous, fabriquent des toits qui sont recouverts de touffes d’herbes arrachées dans les environs.
A 16 h 00 le même jour, 4 chars allemands, dont un Mark VI, arrivent de Bréville. Ils sont arrêtés par quelques Sherman au moment où ils vont rentrer dans Amfreville, l’un d’eux brûle, et les 3 autres (dont le Mark VI) font inverseur.