What about painting?

It came to me as a mean to say these “important things” you don’t speak about. These things can’t be said clearly. They are literally unspeakable. They become blurry and they eventually vanish when analysed.

They can be expressed only by allusion.

Virtual exhibit

Sur la route, vers Sallenelles, un ami
Sur la route, vers Sallenelles, un ami
oil on paper on canvas, 37 cm x 30.5 cm
Paris, April 1969

Sur la route, vers Sallenelles, un ami

(On the Road near Sallenelles, a Friend)

In the days following the D-Day landings, Sergeant de Montlaur and his comrades of the Free-French No. 4 Commando 1st BFMC (Battaillon de Fusiliers Marins Commandos also called “Kieffer Commando”) took part in intense and violent fighting against the German troops stationed near the village of Sallenelles and the Bavent Woods on the North bank of the Orne River in Normandy.

The painter could not be more realistic: the impact of a bullet or shrapnel in the forehead, the blood that flowed from the mortal wound, the greenish and blue tint of the face of “his friend” are reproduced in this painting in all their horror. Why “a friend”? The man has a green commando beret. He is certainly one of Montlaur’s commando comrades. Probably one of those who were killed on June 10 or 11 near Amfreville.

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Selection

Oranges et bananes
Oranges et bananes
54 cm × 65 cm
Paris
La nuit des sens
La nuit des sens
65 cm × 92 cm
Nice 1952
La promesse des fleurs
La promesse des fleurs
73 cm × 92 cm
La nuit du 14 au 15 août
La nuit du 14 au 15 août
46 cm × 55 cm
Rotheneuf 1972

See the selection